Hard to believe another year has come to a close. So much has happened and continues to unfold, but after sifting through the events of the past year, it's safe to call these ten my top professional highlights of 2014:
1. Calling to You's return to Boston
The year began with the Boston return performance of Deborah Abel Dance Company's Calling to You to a packed house, and was likely my last time working with Joe Gonzalez as my fellow lead performer and partner. (Enjoy Philly, Joe!) The production is now in talks of heading back overseas in the coming season. Stay tuned for the next grand adventure, currently slated for Brazil.
2. Judging the Boston College Annual Showdown
1. Calling to You's return to Boston
 |
| Merli V. Guerra and Joe Gonzalez, leads in Calling to You. Deborah Abel Dance Company. Photo: Liza Voll, 2014. |
The year began with the Boston return performance of Deborah Abel Dance Company's Calling to You to a packed house, and was likely my last time working with Joe Gonzalez as my fellow lead performer and partner. (Enjoy Philly, Joe!) The production is now in talks of heading back overseas in the coming season. Stay tuned for the next grand adventure, currently slated for Brazil.
2. Judging the Boston College Annual Showdown
 |
| l. to r. Sarah-Katarina "SKooJ CorE-O," Reia Briggs-Connor, and Merli V. Guerra: Judges at the 2014 Boston College Showdown. Photo: Christopher Huang |
Early in the year, I was invited to act as a judge at the 2014 Boston College Annual Showdown. Little did I realize what an incredible night awaited... Held in BC's Conte Forum stadium (complete with impressive theatrical lighting, fantastic DJ, and two giant video feeds panning the crowd), the annual dance competition boasted the talents of 14 dance teams to a sold-out audience of 3,500! Joining me as judges were Reia Briggs-Connor, owner, choreographer, and dancer for Phunk Phenomenon Dance Complex (middle), and Sarah-Katarina "SKooJ CorE-O," founder and director of Boston Community Dance Project, and artistic director of Static Noyze Dance Company (left). The evening was an absolute blast, and I was given the delightful opportunity to indulge my inner Simon Cowell.
3. Swank. So much swank. (And also speaking)
This spring was the season of attending swanky arts events and speaking on panels... In addition to judging the BC Showdown, I was invited to: Speak at Mount Holyoke College's 2014 Breaking Barriers: (Re-Defining) Entrepreneurship Conference on its Innovation in Art & Design Panel (alongside keynote speaker Alicia Stewart, Senior Producer of CNN's In America); speak at the Mount Holyoke College Speed Networking Panel as its youngest panelist (Lenox Hotel, Boston MA); and mingle alongside fellow grant awardees at two different Cultural Council award celebrations, one with Kim at the Mayor's Office, City Hall in Boston, the other in Arlington. All in all, a busy (yet rewarding!) spring.
4. Designing Art New England's largest issue to date
With print media facing serious concerns competing against online periodicals, I was proud to watch Art New England continuously grow in size and revenue throughout 2014. This year marked the company's 35th year as New England's leading art magazine, and I'm fortunate to have a front row seat on its progress as its designer and Production Manager. The July/August 2014 issue was not only the largest issue ever printed in its 35 years, but my most favorite cover to date.
5. Night at the Tower: Award nomination for my largest Cultural Community Outreach Project to date
Never in my years of work in the field of bringing art and dance to the greater community have I felt more passionate about an event as this one. Night at the Tower was a huge success despite a myriad of obstacles: Months of government red tape, creating new permits, acquiring equipment, harnessing electricity, dodging tornado warnings and a huge hurricane, and oh ya...creating new choreography! In the end, this event was exactly what it aimed to be: An evening to enjoy this 90-year-old local landmark, while celebrating the town of Arlington through its history, its children, and its art, while fostering community through the joy of professional dance. Beautiful. As if this wasn't thanks enough, Night at the Tower was recently nominated for Massachusetts Cultural Council's prestigious Gold Star Award for being an "exemplary cultural program" that "celebrates diversity, fosters collaboration, showcases artistic excellence, and provides learning experiences for people of all ages and backgrounds." Having led the annual Cultural Community Outreach Project for Luminarium for the past three seasons, I am so grateful for the nomination, as this event was by far the most exceptional we've produced in our time here, and the town of Arlington could not have been more welcoming, supportive, and engaged. For press, testimonials, photos, and videos of Night at the Tower, click here.
6. Reigniting my Classical Indian Dance training: Teaching at Endicott College and performing at Mount Holyoke College
Much of my choreographic style stems from my training in Odissi classical Indian dance. I've been a member of Nataraj Dancers since 2006, traveled with my guru to India in 2007, and performed on tour with the company in Japan in 2009. Since then, I've stayed connected to the company while creating my own work in Boston. This year I was fortunate to join the company in reproducing an older work "Songs of the River" for Mount Holyoke College's 2014 Faculty Showcase. It was wonderful reconnecting with past colleagues, professors, and fellow performers, though strange to realize I no longer overlap with the current student body! Still, wandering into the lobby following one rehearsal, they quickly made the connection between their new performance peer and the college dance major featured on the giant banner above our heads at the lobby entrance. As I continuously find, I am often famous and nameless in a single moment. 2014 also led to teaching two master classes in Odissi at Endicott College, as part of the Dance Department's World Dance Course. Though I find teaching modern stressful, I thoroughly enjoy teaching Odissi in a master class format to all ages, especially at the college level, since I began my studies of the form during college myself. In 2015 I hope to return to Endicott and perhaps add more to the list!
7. From model to the MFA
Those who know me know that I'm a fairly steady person, but that doesn't mean I lack adventure. Periodically opportunities arise that I once never thought I'd do, and modeling nude was certainly one of them. Yet here I am in the photo above, attending a chic VIP opening night celebration at the School of the Museum of Fine Arts, Boston, standing next to world-renowned artist Judith Larsen, having modeled for a new series of video projection photographs. Learn more about the process, and see the final images here.
8. Somerville Arts Council
Each year Kim and I work hard applying for grants, from large to small, local to national. It's often difficult to understand the inner workings of how the grant selection process unfolds. How are these decisions made? How are the monies divided once chosen? This year I had the fortune of serving on the Somerville Arts Council's Guest Panel for Dance, Theatre, and Multidisciplinary Arts, reading all applications, viewing support materials, discussing each with my fellow arts panelists, and ultimately deciding the money provided to each awardee. I now have a deeper understanding and appreciation for all that these councils do, and look forward to serving on another panel down the road.
9. Two TV interviews
Kim and I have had a busy season, and are grateful for all the press Luminarium received throughout 2014. New to this season were TV interviews! Enjoy the two above: 1) My interview with Arlington Public News regarding Night at the Tower and 2) Kim and my interview with Glenn Williams on Boston Neighborhood Network's It's All About Arts.
10. The Sleeprunner: Triumphantly ending Luminarium's 4th season with three sold out shows
Luminarium's The Sleeprunner was our largest production to date, and by far one of the most talked about productions we've created. As we head into 2015, Kim and I are excited to continue shaping and perfecting this show to the fullest, with hopes to bring it back not just in Boston, but beyond. Stay tuned for more Sleeprunner action in Season 5, and in the meantime, a huge thank you to all who came and packed our theatre with giggles, gasps, and applause.
Ok, 2015. It's time to top last year and make this season the greatest to date...no pressure!
3. Swank. So much swank. (And also speaking)
 |
| Mount Holyoke College Speed Networking Panel at the Lenox Hotel, Boston MA. Merli V. Guerra, Guest Panelist. |
This spring was the season of attending swanky arts events and speaking on panels... In addition to judging the BC Showdown, I was invited to: Speak at Mount Holyoke College's 2014 Breaking Barriers: (Re-Defining) Entrepreneurship Conference on its Innovation in Art & Design Panel (alongside keynote speaker Alicia Stewart, Senior Producer of CNN's In America); speak at the Mount Holyoke College Speed Networking Panel as its youngest panelist (Lenox Hotel, Boston MA); and mingle alongside fellow grant awardees at two different Cultural Council award celebrations, one with Kim at the Mayor's Office, City Hall in Boston, the other in Arlington. All in all, a busy (yet rewarding!) spring.
4. Designing Art New England's largest issue to date
With print media facing serious concerns competing against online periodicals, I was proud to watch Art New England continuously grow in size and revenue throughout 2014. This year marked the company's 35th year as New England's leading art magazine, and I'm fortunate to have a front row seat on its progress as its designer and Production Manager. The July/August 2014 issue was not only the largest issue ever printed in its 35 years, but my most favorite cover to date.
5. Night at the Tower: Award nomination for my largest Cultural Community Outreach Project to date
 |
| Luminarium's Night at the Tower Photo: K. Holman, 2014 |
Never in my years of work in the field of bringing art and dance to the greater community have I felt more passionate about an event as this one. Night at the Tower was a huge success despite a myriad of obstacles: Months of government red tape, creating new permits, acquiring equipment, harnessing electricity, dodging tornado warnings and a huge hurricane, and oh ya...creating new choreography! In the end, this event was exactly what it aimed to be: An evening to enjoy this 90-year-old local landmark, while celebrating the town of Arlington through its history, its children, and its art, while fostering community through the joy of professional dance. Beautiful. As if this wasn't thanks enough, Night at the Tower was recently nominated for Massachusetts Cultural Council's prestigious Gold Star Award for being an "exemplary cultural program" that "celebrates diversity, fosters collaboration, showcases artistic excellence, and provides learning experiences for people of all ages and backgrounds." Having led the annual Cultural Community Outreach Project for Luminarium for the past three seasons, I am so grateful for the nomination, as this event was by far the most exceptional we've produced in our time here, and the town of Arlington could not have been more welcoming, supportive, and engaged. For press, testimonials, photos, and videos of Night at the Tower, click here.
6. Reigniting my Classical Indian Dance training: Teaching at Endicott College and performing at Mount Holyoke College
 |
| Merli V. Guerra performing with Nataraj Dancers at Mount Holyoke College. Photo: Jim Coleman. |
Much of my choreographic style stems from my training in Odissi classical Indian dance. I've been a member of Nataraj Dancers since 2006, traveled with my guru to India in 2007, and performed on tour with the company in Japan in 2009. Since then, I've stayed connected to the company while creating my own work in Boston. This year I was fortunate to join the company in reproducing an older work "Songs of the River" for Mount Holyoke College's 2014 Faculty Showcase. It was wonderful reconnecting with past colleagues, professors, and fellow performers, though strange to realize I no longer overlap with the current student body! Still, wandering into the lobby following one rehearsal, they quickly made the connection between their new performance peer and the college dance major featured on the giant banner above our heads at the lobby entrance. As I continuously find, I am often famous and nameless in a single moment. 2014 also led to teaching two master classes in Odissi at Endicott College, as part of the Dance Department's World Dance Course. Though I find teaching modern stressful, I thoroughly enjoy teaching Odissi in a master class format to all ages, especially at the college level, since I began my studies of the form during college myself. In 2015 I hope to return to Endicott and perhaps add more to the list!
7. From model to the MFA
 |
| At the 2014 SMFA Auction. Merli V. Guerra with artist Judith Larsen. Photo: Jill & Bob Armstrong |
8. Somerville Arts Council
Each year Kim and I work hard applying for grants, from large to small, local to national. It's often difficult to understand the inner workings of how the grant selection process unfolds. How are these decisions made? How are the monies divided once chosen? This year I had the fortune of serving on the Somerville Arts Council's Guest Panel for Dance, Theatre, and Multidisciplinary Arts, reading all applications, viewing support materials, discussing each with my fellow arts panelists, and ultimately deciding the money provided to each awardee. I now have a deeper understanding and appreciation for all that these councils do, and look forward to serving on another panel down the road.
9. Two TV interviews
Kim and I have had a busy season, and are grateful for all the press Luminarium received throughout 2014. New to this season were TV interviews! Enjoy the two above: 1) My interview with Arlington Public News regarding Night at the Tower and 2) Kim and my interview with Glenn Williams on Boston Neighborhood Network's It's All About Arts.
10. The Sleeprunner: Triumphantly ending Luminarium's 4th season with three sold out shows
Luminarium's The Sleeprunner was our largest production to date, and by far one of the most talked about productions we've created. As we head into 2015, Kim and I are excited to continue shaping and perfecting this show to the fullest, with hopes to bring it back not just in Boston, but beyond. Stay tuned for more Sleeprunner action in Season 5, and in the meantime, a huge thank you to all who came and packed our theatre with giggles, gasps, and applause.
Ok, 2015. It's time to top last year and make this season the greatest to date...no pressure!
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